Srijani’s passion for poetry and storytelling is clear to witness throughout her pieces. Her psychology background allows her to draw on insights into human behaviour, and together with her English degree, they give her work a balance of insight and authenticity.
Her published work ‘Smoked Flames’, showcases a blend of emotion, imagery and exploration of the mind. She continues to delve into the literary world and allows her audience to visit her thoughts, concepts and creations.
Interview conducted by VoiceBox's Lauren Louisha
Hey Srijani, such a pleasure to interview you! You’ve been active in the writing community for some time now. What was it that inspired your journey into it?
I’ve wanted to become an author since childhood. My love for literature began very early, though I never tried publishing anything back then. I started writing poetry around the sixth standard, often filling my diary with little pieces. During the lockdown, when I had a lot of time at home, I began thinking seriously about publishing. I started searching for literary magazines, slowly submitted to them, and eventually received acceptances. Even the feedback from magazines encouraged me to continue. My close ones have always supported me, and that remains one of my biggest sources of inspiration.
You’ve written two Zines, haven't you? Can you tell us more about them?
Yes, I’ve written two zines. The first is Dandelion Skin, published by Origami Poems. It captures images of the Maidan in Kolkata and memories tied to the city. I love exploring nostalgia and remembrance, and that reflects deeply in these poems.
My second zine, Topography of the Mind, was published by Endangered Art Books. It draws from the language of psychology and my own experiences with mental health, as well as my love for my partner. Having studied Psychology, I’ve always found the subject fascinating, so I wanted to merge it with poetry to create something experimental.
One of your poetry Zines is centred on psychology. How have your own experiences shaped this collection?
I’ve struggled with mental health issues like depression and anxiety. Studying psychology helped me understand myself better, and I find the subject both helpful and deeply interesting. The zine reflects my journey, from navigating depression to finding catharsis, from meaningful experiences with therapists to the constant motivation of my partner.
2026 will see the release of your next collection, “Mantras of the Moon”. Is there a message behind the title?
Yes. I’m very excited about its release. The collection revolves around Indian mythology, the self, and the subtle nuances of pilgrimage, love, and cultural spaces. The title draws on the idea of “mantras”, spiritual chants offered to the divine, and on the Moon’s sacred, mystical presence in Indian spirituality. Together, they represent the themes that shape the book.
Red Rook Press is publishing your forthcoming book. Congratulations! What's one thing you’ve learned from working with a publisher that you didn't know before?
Thank you so much. I’ve learned that working with a publisher you’re unfamiliar with can be daunting, but it’s also a valuable learning experience. You understand how to edit your own writing, identify the strengths and weaknesses of your work, and grow as a writer through the process.
“Mantras of the Moon” navigates your identity whilst exploring Indian society. How do you approach balancing these two themes within your work?
I see myself through the Indianness I grew up with and the culture that surrounds me. At the same time, I acknowledge the aspects of my culture that I feel should change for the better. I often explore the intricacies of the self through confessionalism, while remaining rooted in the Indianness that shapes me.
Looking back to 2020, is there any significant change you’ve noticed in your poetic style or the themes you explore from then until now?
Back in 2020, my writing was more descriptive, often using daily imagery, lockdown experiences, and mental health as central themes. Over time, my style has shifted into a more narrative form that’s simpler, yet rooted in themes of protest, women’s issues, and the self. However, spirituality has remained a constant thread throughout my work.
Do you have any habits or rituals that help you get into a creative flow?
Yes. I take notes whenever I visit a place and write down any significant observation I make. These small practices help me revisit the moment later and enter a creative flow when writing.
Beyond your next collection, what are your hopes for the future of your writing?
I hope to refine my writing even further. I also have another manuscript titled Soul God that I hope to publish someday. Most of all, I want to see myself grow into an established writer.
Thank you for joining me today. It was such a joy to learn more about your poetry! Before I let you go, do you have any advice for budding writers wanting to work with a publisher?
Always try to edit and polish your writing, and make simultaneous submissions. Research thepublishers you’re interested in, submit your work, and be patient. It’s a fun, exciting journey. Enjoy every step of it. Thank you so much for this lovely interview.
Where can our readers find more of your work?
More of my work can be found on my website: srupshapoetry.vercel.app/ and on Instagram at @srupsha__.
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